# What the stream is telling us, _in one place._

A standing read on streaming demand, platform strategy, talent, genres, geography and ROI — every chart built on PeerLogix household-level viewership data and refreshed straight from the pipeline. Tap any chart to open it full-size and interactive.

70 charts · last refreshed Jun 15, 2026 04:44 PM EDT

## Trackers & Standings

[Newweekly\\
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**From takes \#1 on the US show chart, while Euphoria slides from last week's top spot to \#4** \\
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The 10 most-watched current shows in the US, limited series included, ranked by Demand Score, our measure of weekly at-home audience. Row tags: the move since last week (green climbed, red slipped, grey held), then straight weeks in the Top 10; an amber NEW chip = a new title in its first week on the board.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-RC-01/index.html)

Source · metrics\_demand\_rank\_historyCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-RC-01/index.html)

[Newdaily\\
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**The originals race: Netflix leads exclusive demand at 21%, with Prime Video second at 16%** \\
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Each line is a service's share of US demand for the shows you can only watch there, its originals and exclusives, month by month this year. Licensed hits available on several services are left out, so this is the clean read on who owns must-have demand, not subscriber counts.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-RC-03/index.html)

Source · metrics\_platform\_standings\_dailyCL-008 · Covers the 8 major subscription streamers; live-TV and niche services excluded.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-RC-03/index.html)

[Newmonthly\\
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**Hit-dependence by service: just 10 titles drive 50% of Apple TV+'s total Demand Score; on Hulu the top 10 carry only 13%** \\
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Hit-dependence is how much of a service's total viewing rides on its few biggest titles - here, the share of each service's total US Demand Score that comes from just its top 10 titles. Where a service has shifted at least a point, a hollow dot marks where it stood three months ago; steadier rows note their change in text instead.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-RC-04/index.html)

Source · metrics\_platform\_concentration\_dailyCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-RC-04/index.html)

[Newweekly\\
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**Sinners is America's most-watched film at home this week** \\
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The 10 most-watched films in US homes, ranked by Demand Score, our measure of weekly at-home audience. Films you can only buy or rent are listed in the note below; tags show each film's move since last week.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-RC-05/index.html)

Source · metrics\_demand\_rank\_historyRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-RC-05/index.html)

[Newweekly\\
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**Apex is fading fastest on the film board, down 30% vs its 4-week norm, while Superman heats up +15%** \\
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How much each film is heating up or cooling down this week: each bar compares a film's share of US at-home film viewing against its own 4-week average, across 19 of this week's 20 highest-demand films (1 too new for a 4-week read). Green = climbing, red = fading, grey = held (within half a percent of its norm).\\
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Open hi-res image →](/content/dashboard/image/?id=TI-RC-06/index.html)

Source · metrics\_demand\_rank\_history, title\_metrics\_dailyRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-RC-06/index.html)

## Demand & Momentum

[daily\\
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**"From" is America’s biggest title right now, drawing about 30% more viewers than \#2** \\
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Each bar is one title’s weekly Demand Score: how many viewers it is drawing right now over a 7-day window, with shows and movies ranked together. The longest bar is the most-watched title in the country today.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-01/index.html)

Source · metrics\_demand\_rank\_historyCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-013 · A snapshot of the stated window; numbers refresh with each data update.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-01/index.html)

[monthly\\
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**A handful of titles carry the catalog: the typical title’s everyday viewing demand is just 2 points, while the top 1% sit above 165** \\
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This shows each title’s normal, everyday viewing demand between spikes, measured in Demand Score points. Most titles cluster at very low levels, while a thin tail stretches to very high demand: a typical title is at 2, and the top 1% are above 165.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-DP-05/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-DP-05/index.html)

[daily\\
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**Among shows Americans are already watching, Obsession is surging fastest, 15.0x its own usual audience right now** \\
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Each bar compares a title’s audience right now with its own recent baseline: above 1x means it’s gaining, right at 1x it’s holding steady (grey), and below it it’s cooling (red). Only titles with a real current audience make the list, so these are recognizable hits.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-02/index.html)

Source · title\_metrics\_daily, metrics\_demand\_rank\_historyCL-001 · Spike measures are an early-momentum signal, not a final popularity verdict.CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-02/index.html)

[weekly\\
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**A few shows dominate the Top 10 for months, while others surge up the chart and then fade** \\
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Each line is a show. Higher lines rank closer to #1, the biggest US audience that week, based on weekly viewing demand among shows. Read left (11 weeks ago) to right (now): flat lines near the top are lasting hits, while steep rises and drops are fast movers.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-Other-04/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Other-04/index.html)

[monthly\\
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**Most top titles stay steady, but a small erratic cluster, led by Paradise, swings about 12× to about 46× more wildly than a typical title** \\
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Each dot is a top title in the US household viewing panel: farther right means more in demand, and higher up means its daily demand swung more around its own usual level over the last 90 days. Purple dots mark the most erratic titles, the top 5% by volatility.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-DP-06/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-DP-06/index.html)

## Spikes & Breakouts

[daily\\
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**The month’s biggest breakout peak: From hit a single-day viewing-demand score of 3,700, 13.5x its normal level** \\
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The 15 biggest surges of the last 30 days, ranked by the highest single-day viewing-demand score each title reached. That means a smaller title can post a bigger multiple and still rank lower. Each label shows the peak score, how many times above that title’s own normal level it was, and the likely cause.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-03/index.html)

Source · spike\_pulse\_eventsCL-013 · A snapshot of the stated window; numbers refresh with each data update.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-03/index.html)

[weekly\\
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**Most breakouts are one-day flashes: 69% vanish after a day, while the 31% that last longer are the real hits** \\
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How long each breakout held: single-day means a brief blip, like a news mention or viral post; multi-day means viewers kept coming back.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-07/index.html)

Source · spike\_pulse\_eventsRefreshed Jun 6, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-07/index.html)

[weekly\\
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**Most breakouts are modest: a typical spike is 2.2x, and only the rarest 1% top 20x** \\
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How often different spike sizes showed up across 1,326 spikes in the last 180 days. Spike size compares a title’s peak day with its own usual level, a 3x spike means it drew 3x its normal viewing. The detector starts flagging sustained surges at around 1.3x, so spikes below 2x appear too.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-05/index.html)

Source · spike\_pulse\_eventsRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-05/index.html)

[weekly\\
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**Older shows are surging again: Love Island USA (6 years old) added the most new viewing demand in the past 28 days, up 417% on its own prior level** \\
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Titles at least 5 years old with the biggest gains in US household viewing demand over the past 28 days. Measured as each title’s share of all panel viewing demand, so changes in panel size can’t fake a comeback, with today’s top-50 hits excluded.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-I-06/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-013 · A snapshot of the stated window; numbers refresh with each data update.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-06/index.html)

[weekly\\
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**Breakout activity is holding steady: 21 titles broke out in the latest reliable week, or 129 breakouts per 10M viewer-days vs a prior-weeks average of 120.1** \\
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Each bar shows how many titles had a meaningful breakout that week, scaled per 10M viewer-days of panel viewing so a small-panel week doesn’t look artificially quiet. A breakout means a title’s daily viewing demand jumped to 3x+ its own normal level. Dark bars are above the trustworthy prior-weeks average (the dashed line), pale bars are below it, and grey hatched bars mark weeks with panel coverage too atypical to trust, whatever their height.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-A-06/index.html)

Source · spike\_pulse\_events, metrics\_panel\_healthCL-013 · A snapshot of the stated window; numbers refresh with each data update.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-A-06/index.html)

## Platforms & Streaming Strategy

[monthly\\
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**A few hits do outsized work for some owners: Lionsgate / Starz and Apple get about 39% of all viewing demand from just 5 titles** \\
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Each bar shows the share of a parent company's total viewing demand that comes from its top 5 titles; if a title is on several owners' services, its viewing demand is split between them. Longer bars mean more rides on a handful of hits, while shorter bars mean viewing is spread across a deeper catalog.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-12/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-12/index.html)

[monthly\\
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**Max leads the race for the 1,000 most-wanted titles: 18.0% of their combined viewing demand sits in its catalog** \\
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Each bar is a streaming service, from Netflix and Max to Hulu, sized by its share of the combined viewing demand for the 1,000 most-wanted titles on the latest tracked day. If a title is on several services, its demand is split between them. The 11 services with a parent-company label in the catalog account for 83% of that combined demand; the rest is on unlabeled services or has no tracked streaming home yet.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-02/index.html)

Source · title\_metrics\_daily, categorization\_title\_x\_platformRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-02/index.html)

[monthly\\
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**Apple TV+ is almost entirely locked-in: 99.0% of its catalog’s total viewing demand comes from titles viewers can’t find anywhere else** \\
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For each streaming service, this shows the share of its catalog’s total viewing demand that comes from exclusive titles, shows and movies available only on that service. Higher means a stronger reason for households to stay; lower means more of the viewing comes from shared or licensed titles also available on rivals.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-DP-01/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-DP-01/index.html)

[monthly\\
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**Warner Bros. Discovery's services hold the biggest share of viewing demand for America's 1,000 most-wanted titles: 22%, just ahead of Disney's 21%** \\
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This chart shows how today's viewing demand for the 1,000 most-wanted titles is divided across each parent company's streaming services. If a title is on several services, its demand is split between them so the same viewing isn't counted twice.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-01/index.html)

Source · title\_metrics\_daily, categorization\_title\_x\_platform, categorization\_platforms\_availableRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-01/index.html)

[monthly\\
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**Most streaming owners lean on licensed hits for current viewing demand: 7 of 10 sit on the licensed side, with only Apple, Lionsgate / Starz, and Amazon on the originals side** \\
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Each dot is a parent company. Higher means more current viewing demand from its own originals; farther right means more from licensed or acquired titles. Companies above the dashed line get most of their current viewing demand from originals.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-03/index.html)

Source · categorization\_title\_x\_platform, title\_metrics\_dailyCL-015 · Classification is automated; isolated titles may be mislabeled.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-03/index.html)

[monthly\\
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**Small, curated services deliver far more viewing than their size suggests: Apple TV+ gets 430% more than a typical catalog share, and Starz gets 310% more** \\
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Each dot is a streaming service. Farther right means a bigger share of all titles; higher up means a bigger share of total viewing demand. The diagonal marks what a service would get if viewing matched catalog size exactly: above it means more viewing than its share of titles would suggest, below it means a big catalog that draws less viewing than expected.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-05/index.html)

Source · title\_metrics\_daily, categorization\_title\_x\_platformRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-05/index.html)

[monthly\\
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**No company is tightening its grip on US streaming: the score is holding near ~1,310, below the 1,500 'moderately concentrated' line** \\
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Weekly look at how spread out US streaming viewing is across parent companies over 26 weeks, based on each company's share of all panel viewing that week. The score rises when a few companies dominate more viewing and falls when viewing is spread more widely; the dashed line at 1,500 marks the usual start of a moderately concentrated market.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-08/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-08/index.html)

[monthly\\
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**Crunchyroll’s catalog has a brutal animation tilt: about 440% more Animation than a typical service** \\
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Each cell shows how much more or less of a genre each service carries than a typical service. Rows are sorted biggest service first, and every 2×+ cell is labeled. Genres that are big almost everywhere, like Drama, look near-white because they are close to typical; tan means below typical, and dark blue marks a platform’s clearest genre signature.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-04/index.html)

Source · metrics\_genre\_dominance\_dailyCL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-04/index.html)

[monthly\\
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**Launch buzz usually fades by day 30: only 24% of tracked titles took a bigger slice of that day’s total US viewing demand than they did on release day** \\
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Each dot is a recent launch. Farther right = a bigger slice of all US household viewing demand on release day; higher up = a bigger slice 30 days later. Dots above the dashed line grew, dots below it faded. Green dots mark the 3 biggest growers and red dots the 3 steepest faders among the top half of launches by size, where size means the larger of a title’s two readings.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-07/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-07/index.html)

[monthly\\
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**Disney and Warner Bros. Discovery are the broadest parent companies overall, tied at 74/100 across the 5 measures; Apple is the most specialized at 44** \\
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Each radar shows one parent company scored 0-100 against the rest on 5 things: catalog size, genre variety, global reach, hit count, and how evenly viewing is spread across its titles. The printed score is the simple average of those 5 spokes, so it rewards higher scores rather than a more balanced shape; the panels are sorted by that average.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-09/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-09/index.html)

[weekly\\
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**The pecking order barely budges: Disney was \#1 in all 18 weeks, and no company moved more than one spot** \\
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Each line shows a parent company’s weekly rank by audience across its full catalog. Viewers for each title are split among the companies that carry it, then added up companywide, not just for the top-1,000 titles, which is why this order differs from the top-1,000 boards. The top line is #1, based on the biggest weekly audience; 18 weekly snapshots.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-C-06/index.html)

Source · title\_metrics\_daily, categorization\_title\_x\_platformRefreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-C-06/index.html)

## Global & Local Demand

[monthly\\
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**India mostly watches Indian shows and films: 73% of viewing is home-grown; Turkey watches almost entirely imports, with just 0.4% going to local titles** \\
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For each major market, this chart shows how much viewing goes to home-grown titles versus imports. A title counts as home-grown in the market where it is watched most. Navy marks local-first markets (40%+), mid-blue shows a mix, and gray marks import-driven markets (under 10%).\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-03/index.html)

CL-005 · Computed over a fixed trailing window (stated on the chart), not all time.CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-03/index.html)

[monthly\\
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**India is most hit-driven: its top 10 titles alone take 18% of all viewing; South Korea is broadest at 5%** \\
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This shows how much of each country's total viewing goes to just its top 10 titles. Higher means a few big hits dominate the market; lower means viewing is spread across many titles. India is the most top-heavy at 18%, while South Korea is the least at 5%.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-10/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-10/index.html)

[monthly\\
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**Persian stands out among non-English niches: its typical title pulls 210% more viewing demand than a typical title overall** \\
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Non-English languages ranked by the median viewing demand per title, how much pull a single title in that language usually gets. The dashed line marks the typical title across all languages. Top 12 of 42 qualifying languages shown.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-09/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-09/index.html)

[monthly\\
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**Europe leads this viewing panel with 39% of streaming viewing, led by Spain** \\
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This chart splits the panel’s viewing across regions and names the biggest single market in each region. Some countries are not tracked, so this shows panel coverage, not a census of world viewing.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-12/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-12/index.html)

[monthly\\
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**India stands out for romantic drama: appetite runs 400% above the typical country’s** \\
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A country-by-sub-genre map of where viewers lean more or less than the average of the markets shown. Each cell compares a country with a typical country: dark blue marks standout local tastes, tan marks below-typical tastes, and cells from 1.5× show their number.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-Subgenre-Country-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Subgenre-Country-01/index.html)

[monthly\\
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**After the global overlap is stripped out, India’s standout genre is Romance, watched 170% more than in a typical country** \\
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Each cell shows whether a country leans more or less toward a genre than a typical country after globally popular genres like Drama are canceled out to neutral. Dark blue marks the clearest local tastes, 2×+ above typical, and labeled, cream is typical, red is below. Major markets only.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-08/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-08/index.html)

[weekly\\
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**Country rankings barely budged in 30 days: just 2 one-spot swaps among the top 12** \\
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Each line shows one country’s rank by total streaming audience 30 days ago (left) versus now (right), with its current share of panel viewing listed after the country name. Upward green lines mean a country climbed; downward red lines mean it slipped.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-04/index.html)

CL-005 · Computed over a fixed trailing window (stated on the chart), not all time.CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-04/index.html)

[monthly\\
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**Global streaming is brutally top-heavy: the biggest 10% of countries account for 63% of all viewing** \\
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How to read it: move along the bottom axis from the smallest countries upward, and the line shows how little of total viewing those countries add up to. The farther the curve falls below the dashed equal-share line, the more a handful of countries dominate viewing worldwide.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-05/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-05/index.html)

[weekly\\
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**India is the biggest streaming market in the panel at 10.4%, but even the top 3 countries together are only 25%, showing how global the audience is** \\
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Each bar shows one country’s share of all viewing across the worldwide household panel, in other words, where the streaming audience actually is. Shares are calculated across all 134 tracked countries; the top 30 are shown.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-02/index.html)

[monthly\\
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**Big worldwide reach doesn’t guarantee a bigger hit: among the 461 biggest titles, country reach has almost no link to total viewing demand** \\
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Each dot is one of the 461 most-watched titles. Farther right means it has real traction in more countries; higher means more total viewing demand, on a log scale. Dark dots mark the 5 biggest titles by demand.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-D-11/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-D-11/index.html)

## Genres & Taste

[monthly\\
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**Action pulls more of the US audience than its share of titles, while Documentary packs the catalog but gets far less attention** \\
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Each bar compares a genre’s share of total US household viewing with its share of total titles. Titles tagged to multiple genres are split evenly across those genres so nothing is double-counted. Blue bars to the right of zero mean a genre gets more attention than its catalog size would suggest; gray bars mean it gets less; bars near zero are unlabeled.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-CT13-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.CL-015 · Classification is automated; isolated titles may be mislabeled.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-CT13-01/index.html)

[quarterly\\
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**The Boys has a tight taste fingerprint: its closest matches cluster together, far from Frieren: Beyond Journey's End's clearly different crowd** \\
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Each dot is a title. Left to right shows how much its audience matches The Boys; bottom to top shows how much it matches Frieren: Beyond Journey's End, the heavily watched title with the least audience overlap with The Boys (overlap rarely falls to zero, so even it still shares some viewers). Teal dots are The Boys' 12 closest matches (navy star = The Boys); purple dots are the contrast cluster (purple star = Frieren: Beyond Journey's End); grey dots are every other widely known title.\\
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Open hi-res image →](/content/dashboard/image/?id=TI-H-03/index.html)

CL-016 · Similarity positions come from a machine-learned taste model, not editorial judgment.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-H-03/index.html)

[monthly\\
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**Broad genres hide the flavors viewers actually get: Drama most often means relationship drama, while Horror leans psychological horror** \\
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For each major genre, the 5 most common subgenre tags beneath it; the number shows how many titles carry each tag, and each panel uses its own scale. Read these as the specific keyword-level flavors inside a genre that a broad label like Drama or Horror hides.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-MG-03/index.html)

CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.CL-015 · Classification is automated; isolated titles may be mislabeled.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-MG-03/index.html)

[monthly\\
\\
**Adventure + Thriller is the runaway leader worldwide: the typical title pulls 930% more viewing demand than a typical two-genre title; Adventure + Sci-Fi is next** \\
\\
Each bar shows the median viewing demand for a single title with that two-genre mix worldwide, so big catalogs or one mega-hit can’t explain the ranking. The dashed line marks the typical two-genre title, and the 'x' labels show how far above that line each pair is. Shown here: the top 18 of 147 qualifying pairs.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-MG-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-MG-02/index.html)

## Talent & Studios

[monthly\\
\\
**Big studios have clear genre fingerprints: Walt Disney Pictures leans into Family 4.3x as hard as the average major** \\
\\
Each cell shows how much more or less each big studio leans into a genre than a typical major studio, based on its mix of titles, not viewing. Dark means a stronger tilt; 'x' labels mark the biggest standouts (1.6x and up, on 15+ titles); pale means below average; blank means too few titles to judge.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-PC-02/index.html)

CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-PC-02/index.html)

[monthly\\
\\
**No major studio is riding a single smash: 0 of 6 get half their top-slate viewing demand from one title, even the most top-heavy, Marvel Studios, gets 37% from Daredevil: Born Again** \\
\\
The biggest current titles for the six production companies with the most total US viewing demand. Each bar is one title’s current viewing demand; the scales differ by studio, so read the printed numbers, not bar lengths across panels. Together, these titles show the concrete slate behind each studio’s headline number.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-PC-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-PC-01/index.html)

[weekly\\
\\
**Steven Spielberg and Peter Jackson are virtually tied for the most-watched director right now, with the title doing the heavy lifting shown for each** \\
\\
Top directors ranked by how much viewing demand their titles are pulling right now. For titles with more than one credited director, the audience is split across those directors and then added up per person; each title can count for no more than two names. The title contributing most to each director’s total is named after each bar.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-E-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-E-02/index.html)

[weekly\\
\\
**Catalina Sandino Moreno tops actor demand right now, driven mainly by From** \\
\\
Actors ranked by how much viewing demand their titles are pulling right now. For each title, its audience is divided across the credited cast, including voice roles, then added up for each person; no more than two names per show. The title doing most of the work for each actor is named after each bar.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-E-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-E-01/index.html)

## Quality & Reception

[monthly\\
\\
**Animation stands out on quality: its titles average 7.3 on IMDb, while Horror averages just 5.5, a 1.8-point gap** \\
\\
Each dot is a genre’s average IMDb rating, ranked from highest to lowest. The dashed line marks the catalog-wide average: green genres are above it, red genres below.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-F-05/index.html)

CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 14, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-F-05/index.html)

[monthly\\
\\
**Among the 452 most-watched US titles, being well-liked has almost no link to how much a title gets watched now (0.16)** \\
\\
Each dot is one of the 452 most-watched US titles. Left to right shows its IMDb rating, how well-liked it is. Up and down shows its current US Demand Score on a log scale, how much it’s watched now. The relationship is very weak (0.16). Dashed lines mark the group’s medians, splitting the field into four buckets: loved and watched, watched more than loved, loved more than watched, and overlooked.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-F-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-F-01/index.html)

[monthly\\
\\
**IMDb and TMDb usually agree, but not when different crowds show up: Keeping Up with the Kardashians gets 2.9 on IMDb vs 7.4 on TMDb** \\
\\
Each row is one title, with two audience scores: IMDb in dark navy and TMDb in lighter blue. The number above each pair shows the gap between them. Shown here are only the 16 titles, out of 6,382 qualifying, where the two audiences disagree the most.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-F-02/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-F-02/index.html)

## Engagement & Stickiness

[Newweekly\\
\\
**The Wheel of Time held onto viewers best: 82% of households that started the season finished it** \\
\\
Of the households that watched episode 1 of a season, this shows the share that made it to the finale. Each row starts at 100% for everyone who began, then falls to the % who finished; the red gap is the audience the season lost (among the biggest finished seasons we track, by episode-1 audience).\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-BC-01/index.html)

Source · metrics\_binge\_completionCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-BC-01/index.html)

[monthly\\
\\
**Most genres attract about equally real audiences: Musicals verify best at +6% vs average, while Animation and Westerns are lowest at -10%** \\
\\
Each dot is a genre’s typical share of viewing from verified real viewers rather than bots or other low-trust traffic, compared with the all-genre average. The dashed line marks that average: 21% of the average title’s viewing verifies. Green dots are above that average, red dots are below, and the labels show the difference vs it.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-G-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-G-02/index.html)

[monthly\\
\\
**Among recognizable hits, Dhurandhar: The Revenge has the cleanest audience: 52% of its worldwide viewing comes from verified real viewers** \\
\\
This ranks the 400 most-watched titles over the trailing 180 days by how much of their worldwide viewing comes from verified real viewers rather than bots, proxies, and other low-trust traffic. In this group of recognizable hits, these titles are far above the 20% a typical title manages.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-G-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-G-01/index.html)

[monthly\\
\\
**A high Demand Score doesn’t prove a real audience: equally sought titles vary widely in how much viewing comes from verified real people** \\
\\
Each dot is a title. Left to right shows current Demand Score, how much it’s being sought now, and up and down shows the share of the title’s worldwide viewing that comes from verified real viewers rather than bots, proxies, and other low-trust traffic. The dashed lines mark the medians.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-I-03/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-03/index.html)

## Evergreen & The Long Tail

[monthly\\
\\
**New releases dominate attention: the average new title gets about 410% more viewing demand than a 20+ yr-old title, and that edge mostly burns off within 1, 3 years** \\
\\
Bars show the hit-weighted average viewing demand per title by years since release; diamonds show the median title. Read it this way: only titles in their first year get a big lift in the averages, while the typical title stays near the floor at every age.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Other-05/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Other-05/index.html)

[monthly\\
\\
**Viewer attention is brutally top-heavy: in a single day, the top 1% of titles capture 37% of it, and the top 20% capture 89%** \\
\\
This curve shows how US viewers split their attention across streaming titles on the latest tracked day. Pick any share of titles along the bottom to see how much of all viewing they captured; the dashed line shows what perfectly even attention would look like, so the gap shows how lopsided viewing is.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-I-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-02/index.html)

[quarterly\\
\\
**Most US viewing demand goes to recent releases: 2020s titles alone draw 40%, but every decade back to the 1910s still gets attention** \\
\\
This chart adds up current US viewing demand by the decade each title first came out, and labels each decade’s share of the total. Recent decades lead because they include more titles and newer hits, but viewers still spend time with classics from every decade back to the 1910s.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-I-05/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-05/index.html)

[monthly\\
\\
**Viewing demand falls off fast down the rankings: \#1 pulls about 3.4x \#10, and each further 10-fold drop cuts a title’s demand by about 3.4x or more** \\
\\
Each point is a US-tracked title ranked by how much viewers watched it that day, from most-watched to least. Both axes use logarithmic scales, so a near-straight line means a few titles dominate while demand drops in a regular pattern; farther down the list, the line bends steeper as readings get close to the panel’s reliable floor.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-DP-04/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-DP-04/index.html)

[quarterly\\
\\
**James Bond has the deepest evergreen film catalog: 18 films still draw viewers decade after decade** \\
\\
Franchises are ranked by the combined timelessness score of all their films, one total per franchise, so series with many durable films rank high. Each bar also shows the number of films and the average score; a single film tops out at about 126 today. Minimum 2 films.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-I-07/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-07/index.html)

[quarterly\\
\\
**The Godfather is the catalog’s most timeless title, it keeps drawing viewers decade after decade** \\
\\
Each dot is a title’s timelessness score, a model estimate of how steadily it keeps being watched year after year, not a viewer count. The scale tops out at ≈ 126 today. Shown here: the top 30 of 2,500 scored titles.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-I-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-I-01/index.html)

## Calendar & Seasonality

[weekly\\
\\
**Fridays dominate new releases: 30% of all titles arrive on a single weekday** \\
\\
How releases are split across the days of the week, 2022-present. Friday (highlighted) accounts for nearly a third of all new titles, the default release day for both streaming and theaters.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Cal-06/index.html)

CL-014 · external data (release dates, TMDb/IMDb)Refreshed Jun 14, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Cal-06/index.html)

[quarterly\\
\\
**Holiday 1-day bumps barely move total at-home viewing, every measured holiday effect stays inside the ordinary day-to-day range** \\
\\
Each bar shows average panel viewing on the holiday ±1 day versus the other days of that same month, averaged across 2022-2025; Thanksgiving uses each year's actual 4th Thursday. Gray means the change stays within the ordinary day-to-day range (the shaded band, measured from non-holiday days); red marks a real dip, green a real lift.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Cal-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Dec 30, 2025 07:00 PM EST [Interactive chart →](/content/dashboard/chart/?id=TI-Cal-02/index.html)

[weekly\\
\\
**Today’s hits make still-running shows look much bigger: across all tracked series they draw about 100% more viewing demand than ended shows, but the typical show in both groups is much smaller** \\
\\
This chart spreads each status group’s total viewing demand across all its tracked series, so big current hits heavily shape the average. The white tick near zero marks the typical (median) series in each group, showing that in every bucket the typical show is far smaller than the average.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Other-06/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Other-06/index.html)

[weekly\\
\\
**New releases bunch up hard in the fall: October is the busiest month for new titles, July the quietest** \\
\\
How many titles in our tracked catalog were released in each month, added up across four full years (2022-2025). Dark bars mark above-average months; pale bars mark below-average months, showing when the industry floods the zone and when the field thins out.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Cal-03/index.html)

CL-014 · external data (release dates, TMDb/IMDb)Refreshed Dec 30, 2025 07:00 PM EST [Interactive chart →](/content/dashboard/chart/?id=TI-Cal-03/index.html)

[quarterly\\
\\
**Real seasonality shows up in horror: viewing runs 31% above its usual level in October** \\
\\
Each row is a genre, and each cell shows that month’s viewing compared with that genre’s own yearly average, so big genres don’t drown out small ones. Blue marks a genre’s busiest months and red its quietest; labels mark every standout cell plus each genre’s busiest and quietest months, with the most seasonal genres at the top.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Cal-04/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Dec 30, 2025 07:00 PM EST [Interactive chart →](/content/dashboard/chart/?id=TI-Cal-04/index.html)

[quarterly\\
\\
**US viewing barely changes through the year: it moves only ~7% from the December peak to the June low, the real seasonality is in specific genres, not the whole catalog** \\
\\
Bold line shows the average month-by-month pattern in raw US household viewing across 2022-2025, with 100% set to a typical month in each year. Faint lines show each individual year; most stay within a few points of that average, and December varies the most.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Cal-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Dec 30, 2025 07:00 PM EST [Interactive chart →](/content/dashboard/chart/?id=TI-Cal-01/index.html)

## Spend & ROI

[monthly\\
\\
**Hamilton is the best bang-for-buck original: 6.0 Demand Score points for every million dollars of budget** \\
\\
Top streaming originals ranked by Demand Score per million budget dollars. This uses today’s viewing-demand score, a snapshot of how much a title is being watched right now, not a cumulative total, divided by reported budget. A longer bar means a lean hit that delivers more viewing demand for its cost.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-J-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-014 · external data (release dates, TMDb/IMDb)CL-016 · Similarity positions come from a machine-learned taste model, not editorial judgment.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-J-02/index.html)

[monthly\\
\\
**Big budgets barely buy attention: a movie’s budget explains only about 13% of the differences in how much it gets watched today** \\
\\
Each dot is a movie, plotted by production budget from left to right and current viewing demand from bottom to top. The dashed line shows the expected viewing demand for a movie at that budget; blue dots get watched more than expected, tan dots less. Both axes use log scales.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-J-01/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-014 · external data (release dates, TMDb/IMDb)Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-J-01/index.html)

## Audience & Demographics

[Newweekly\\
\\
**Age splits streaming titles sharply: Severance draws at least 30% more young viewers than a typical title, while The Simpsons draws at least 23% fewer** \\
\\
This chart shows whether each title attracts younger or older viewers than a typical streaming title, using a US household viewing panel adjusted to match the population. 0% means typical; titles to the right skew younger and titles to the left skew older. Recognizable US titles are shown; thin bars mark the 95% range, and the headline uses the strongest cautious bound rather than the farthest dot.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-AGE-01/index.html)

Source · metrics\_persona\_age\_skew, title\_metrics\_dailyCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-AGE-01/index.html)

[Newweekly\\
\\
**Netflix’s new releases pull 13% more young viewers than a typical streaming title; most rivals are stuck in the middle** \\
\\
Each service’s English-language 2024+ releases, shown by how many more or fewer young viewers they attract than a typical streaming title (0% = typical; right = younger, left = older). New releases only: when full catalogs are included, most services wash out to about neutral. Bars show the 95% range.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-AGE-03/index.html)

Source · metrics\_persona\_age\_skew, categorization\_title\_x\_platform, title\_metrics\_dailyCL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-AGE-03/index.html)

## Methodology & Data Trust

[never\\
\\
**Most streaming titles aren’t originals at all: only 12% are true originals, while 55% are just licensed catalog** \\
\\
This splits every title by its relationship to the platform showing it, from a true original, made and owned by that platform, to licensed catalog that’s widely available. Each title is counted once, under its strongest platform relationship.\\
\\
Open hi-res image →](/content/dashboard/image/?id=METH-02/index.html)

CL-010 · Genres come from a standardized multi-genre taxonomy; titles can carry several genres.Refreshed Jun 14, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=METH-02/index.html)

[quarterly\\
\\
**A few genres pull far harder than the rest: the typical Superhero title draws about 1,020% more viewing demand than a typical title** \\
\\
Each bar shows the median viewing demand for a single title in that subgenre, compared with the typical title overall (dashed line = 1×). Read it as pulling power per release, not how many titles the subgenre has.\\
\\
Open hi-res image →](/content/dashboard/image/?id=TI-Other-02/index.html)

CL-006 · Measured from our viewer panel (distinct viewers), not a census of all streaming.CL-015 · Classification is automated; isolated titles may be mislabeled.Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=TI-Other-02/index.html)

[never\\
\\
**The numbers, decoded: the eight ideas every chart here is built on** \\
\\
Each idea in plain words first, then the precise version in smaller type for experts. The live scale at the bottom shows where weekly viewing-demand scores land right now, so you can place any number you meet.\\
\\
Open hi-res image →](/content/dashboard/image/?id=METH-03/index.html)

Refreshed Jun 13, 2026 08:00 PM EDT [Interactive chart →](/content/dashboard/chart/?id=METH-03/index.html)